Still excellent results for his directorial debut Paola cortellesi, the feature film There's Still Tomorrow, the absolute protagonist of the Feast of the Immaculate Conception and now busy clashing with the most recent American blockbusters, such as the recent musical Willy Wonka with Timothee Chalamet directed by Paul King or by Ferrari by Michael Mann.
A war to the last collection, but which cannot erase the mark left by Cortellesi's film on our local cinema: the data, in fact, speak of over 30,8 million euros at the box office, mind-boggling numbers that not only allowed There's Still Tomorrow to surpass the giants Barbie e Oppenheimer, masters of this summer 2023, but which they even overtook Avengers: Endgame, with its 30,2 million euros, and which will soon exceed the 30,9 million collected by Alice in Wonderland.
This constant growth seems to promise a record result for Cortellesi's first directorial work, namely the podium of 10 highest grossing films in the history of Italian cinema; a unique achievement of its kind and which would confirm the strength of a local entertainment world ready to take flight, to never stop.
